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Ulysse’s critically-acclaimed story collection, Drifting, and her new novel, Mouths Don’t Speak. continue to draw high praise from literary critics. Her experiences as an immigrant and teacher are strongly represented in her short stories, personal essays, Pushcart-nominated poetry, and music. She worked in Baltimore City’s toughest schools for 15 years, advocating for at-risk students. Ulysse taught English to hundreds of immigrants and refugees from countries around the globe, including Vietnam, Syria, Somalia, Eritrea, Afghanistan, Pakistan, Honduras, El Salvador, Guatemala, and more.
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She earned a BA in English Literature, a Master’s in Teaching, and numerous certifications in the field of education. Ulysse was born in Haiti, and came to the United States as a teen with not a single word of English in her pocket. Roxane fronts a small army of avid fans on social media and when she finds the time, she dominates the occasional Scrabble tournament.
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She recently became the first black woman to ever write for Marvel, writing a comic series in the Black Panther universe called World of Wakanda. Her writing has also appeared in McSweeney’s, The Nation and many other publications. Roxane is a contributing op-ed writer for The New York Times, was the co-editor of PANK, and formerly was the non-fiction editor at The Rumpus. In 2017, Roxane released her highly anticipated memoir, Hunger: A Memoir of (My) Body, as well as a collection of short stories titled Difficult Women. NPR named it one of the best books of the year and Salon declared the book “trailblazing.” Her powerful debut novel, An Untamed State, was long listed for the Flaherty-Dunnan First Novel Prize. Her collection of essays, Bad Feminist, is universally considered the quintessential exploration of modern feminism. Words like “courage,” “humor,” and “smart” are frequently deployed when describing Roxane.
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With a deft eye on modern culture, she brilliantly critiques its ebb and flow with both wit and ferocity. Her work garners international acclaim for its reflective, no-holds-barred exploration of feminism and social criticism. Roxane Gay is an author and cultural critic whose writing is unmatched and widely revered. For more information, visit the CUNY Grad Center event page.Įvent Co-Sponsors: Small Axe: A Caribbean Journal of Criticism, the Center for the Study of Women and Society, CUNY Graduate Center, the Society of Fellows in the Humanities and the Heyman Center for the Humanities, Columbia University, and Women Writing Women’s Lives A limited number of tickets will be available and released on a first-come, first-seated basis.
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This event is free and open to the public. Following the reading, Gay, Ulysse, and BCRW Associate Director Tami Navarro will discuss various forms of writing–including novels, memoir, and social media interventions–and examine how these create space for conversations around and advocacy for social justice. Ulysse, Haitian poet, essayist and author of Drifting (2014), among other works, will join us for a reading and conversation in the Critical Caribbean Feminisms series. Definitely a good pick to help me get back into reading the way I used to.Roxane Gay, award-winning author of Hunger: A Memoir of (My) Body (2017), Difficult Women (2017), and Bad Feminist (2014) and Katia D. Admittedly, some stories are a little harder to get through than others, but all in all, I'm very happy with my purchase, and I think others will be, too.
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This book is full of tales of heart ache, sadness, emptiness, anger, love. I think it's a bit deeper than most actual situations or women actually read into their own lives, but they are generally very realistic situations. They are peeks into the lives of many different women. These seem to be to me more of short stories. A lot of them, Gay plops us into the middle of these women's lives with little to no explanation. Most of them don't have endings or even beginnings. Those people, I think, based on their reviews, hoped for more from this book because they seem to think that books and stories need happy endings.The stories within this book don't generally have happy endings. If you look at the other reviews of this book, you'll see that there are quite a few negative ones.